Evelyn Bencicova describes her work as “Behaviour of a vulnerable human body. The expression of human kind in a simplified situation, raised to the surface. Archetypical behavioral patterns of a human in a society, yet not adjusted to the repetition of the previous experience.”
Anyway I had a goldfish, a common Woolworth’s goldfish, which I brought home in a water filled plastic bag, and somebody, a man named Rick, I think, who worked for my father, said it would be safe to place him in a concrete planter on the terrace, filled with water.
“Gladyss! Turn on the TV, quick!” “Hold on!” I muttered, having just been awakened from a sound sleep. Assuming it had something to do with my murder case, which my brother knew I was assigned to, I put on my glasses and flipped it on. “What happened?” I asked him groggily, nervous that the killer… Read more »
To celebrate the release of our 11th issue, we took part in Lit Crawl 2014 San Francisco, October 18, with a reading at Fellow Barber on Valencia Street. The full audio of the show is available.
SummerStage was established by the Central Park Conservancy to bring a diverse selection of music to the park in a series of free performances during the summer months. The first concert was held at the Naumberg Bandshell in 1986 and featured the Sun Ra Arkestra. In 1986, our gang didn’t venture uptown much—anything north of… Read more »
Edward S. Robinson
Díre McCain is a survivor. Editor in Chief at the internationally-renowned Paraphilia Magazine, which has, since its inception in 2009, built a reputation for writing and art of outstanding quality while existing far beyond the realms of the mainstream, she’s liked and respected in many underground circles. While she’s contributed writing to a number of… Read more »
A review of “Crossing Over,” a Performance Adventure in Green-Wood Cemetery. Part of the BEAT Festival Tour by Atlas Obscura, led by Allison Meier, with performances by LEIMAY.
Harvey Pekar died just before we went into the studio to record these pieces. Harvey and I had recently collaborated on an opera, “Leave Me Alone!” He wouldn’t make anything up, so my idea of a story of a fictional Cleveland musician had to be about me instead. Unfortunately, there’s not much to my story…. Read more »
Presenting the first release from Sensitive Skin Music, The New Monsters Live at 55 Sensitive Skin’s inaugural release, New Monsters Live at Studio 55, highlights the role of jazz in the 21st century. Captured live at Studio 55 in Marin and featuring the compositions of saxophonist Dan Plonsey, this album echoes the ensemble’s roots in… Read more »
As the film starts, we hear ominous music and see a man’s silhouette, a tall, broad-shouldered man, walking toward us on crutches. A car careens through the dark streets of sunny Los Angeles. Walter Neff (Fred MacMurray) an insurance salesman, casually stops by to see a prospect, a man whose automobile insurance needs renewing, hoping… Read more »